MARO

Since its conception, Electronic music has been synonym of innovation; but what happens when innovation goes through revival? Being able to envision the future looking at your past isn't always an easy task. In this context, the roots and talent of an artist like carbeau offer great opportunity. As a Rio de Janeiro grown, Italo-French artist, it is impossible not to reference the origins when discovering any craft. After two years touring in the US with The Lemon Twigs, opening for Arctic Monkeys, performing with MARO and producing with mokina, carbeau is unveiling a sophisticated example of his musical intelligence with his debut single Mare Nero, where he associates Gregorian chants with tropical warmth. In perfect balance between his imagination and experience, carbeau delivers with this first solo project a fascinating and a true testimony of his past, divided by a sea that he so easily describes.

Manuel Rocha Iturbide (born 1963 in Mexico City) is a Mexican composer and sound artist. Manuel Rocha Iturbide was born in 1963 in Mexico City. He started his musical studies when he was 13 years old. In 1983, after studying musical pedagogy in Lyon, France for one year, he decided to start a career as composer at the Escuela Nacional de Musica of the University of Mexico. The extremely academic and traditional studies of that institution led him to explore different creative ways beyond instrumental music, so he practiced photography at "Taller de los Lunes", a workshop organized by Mexican digital photography pioneer Pedro Meyer. In 1988 he started using video work. In 1989 he realized his first sound sculpture at the milestone exhibition "14 artists around Joseph Beuyce" in Mexico City, with important Mexican artists from his generation such as Gabriel Orozco. In 1989, Rocha Iturbide traveled to Mills College in the US, to pursue an MFA in electronic music. There, he composed "Frost Clear", a piece for amplified refrigerator, double bass and electronic sounds which he has played through the years at different important festivals such as the San Francisco Electronic Music Festival in 2006. In 1991, Rocha Iturbide traveled to France where he studied and worked as a researcher at IRCAM, and where he pursued his doctoral thesis on granular synthesis and quantum mechanics in relation to sound from 1992 to 1999. In these years, he worked with Curtis Roads and Barry Truax, two of the most important pioneers on granular synthesis computer music techniques. In 1999 the president of the jury of his doctoral thesis defense was Jean Claude Risset. The name of his thesis was "The granular synthesis techniques". The influence of this research can be seen in different electroacoustic music works of this composer: "Transiciones de Fase" for brass quintet and electronic sounds (1994), "Moin Mor" for electronic sounds (1995), and "SL-9" for electronic sounds (1994). At his return to Mexico after seven years abroad, Rocha Iturbide devoted himself to sound art, being one of its pioneers and biggest promoters. His first important work at that stage was "Ping-Roll", an aluminum ping pong table with speakers underneath, where over 60 ping pong balls reacted to the continuous and discontinuous sounds produced by sine waves and bouncing sounds, jumping and then rolling. This sound sculpture was exhibited at the Sidney Biennale in 1998. In 2000, during her stay in Japan, thanks to the Japan Foundation Scholarship, her work was exhibited at the SURGE gallery and at the Kyoto Art Center, also with electronic music, photography and video. In the year 2002 in Venezuela an exhibition of sculptures and sound installations in Fine Arts of Caracas was held, as well as an individual exhibition in the AVATAR art space in Quebec Canada, it has also been dedicated to teach courses in Art History and Aesthetics (1987 -88), computer music at the University of Paris VIII (1995-96), interactive art at the Multimedia Center at the CNA (1997-1998) and sound art at the Esmeralda.[1] From that point, Iturbide's work has been devoted to sound art and electroacoustic music, and he has had important commissions in both fields. In 2006 he received a commission from the Arditti Quartet, the composition "Tetraktis" for string quartet and 4 digital tracks, and in 2010 a commission from the Japanese piano player Aki Takahashi for piano and electronic sounds ("Ashimakase"). Rocha Iturbide has also been the curator of the international sound art festival in Mexico and a researcher, writing articles about the history of electroacoustic music and sound art in Mexico, and about the aesthetics of sound art expressions, such as sound installations and sound sculptures.